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Interview with Micheline
Aharonian Marcom
By Vahram Emiyan
16/04/2009
Micheline
Aharonian Marcom was born in Dhahran, Saudi Arabia in 1968
to an American father and an Armenian-Lebanese mother. She
grew up in Los Angeles, but as a child in the years before
the Lebanese civil war, she spent summers in Beirut with her
mother’s family. Marcom’s first novel, “Three Apples Fell
From Heaven”, was a finalist for the PEN/Hemingway
Foundation for first fiction and received Columbia
University’s Anahid Literary Award. It was named a Notable
Book of the year by The New York Times and one of the best
books of 2001 by the Los Angeles Times and Washington Post.
She Lives in Northern California where she teaches creative
writing at Mills College.
Micheline Aharonian Marcom
honored me by granting me the following interview.
Vahram Emiyan:
When did you decide to become a writer and why?
Micheline Aharonian Marcom: I
don’t think I decided one day, but it happened over time. In
my early 20’s I began writing poetry and then later on, I
think I was about 25-26, I decided that I wanted to write
prose fiction. It wasn’t a question of why, it was just
something I felt I had to do.
V. Emiyan:
What can you say about your book “Three Apples Fell From
Heaven”?
M.A. Marcom: I began writing
prose in my mid 20’s and I never thought I would write about
the Armenian Genocide particularly or about Armenian
questions at all. Then few things happened in my life and I
eventually decided that I wanted to write the story of my
grandmother, who died in the 80’s in Beirut somewhat
tragically, and it was sad and the family and my mom was
very close to her and so was I. So, I wanted to know her
better and that meant knowing about the genocide better. I
decided I was going to write a story just about her and
maybe about three generations of Armenian women. Then I
started to do research about the Armenian Genocide, because
I didn’t know about it except the basic details. As I
started doing that I actually went back to school to get a
Masters of fine arts in creative writing, and it was there
that I started working with people, and started doing a lot
of research.
There is a character in the novel based
on my grandmother, but it became a different book, and I
ended up writing about the two towns that she and my
grandfather were from. I guess you would say it became an
obsession. The more I learned, the more I wanted to know and
then I felt really strongly about it, obviously because of
the denial by the nation of Turkey. So there is the denial
on the national level and the denial of history in general
and I became obsessed with it and felt I had to do it.
In English there is almost nothing
about the Armenian Genocide in the world of novels. Of
course, there are some history books and then again they are
not that much. In terms of novels there wasn’t anything, and
I had a teacher who said to me once “if you don’t see the
books on the shelves that you want there, you have to write
them yourself”. Although I didn’t feel necessarily prepared,
I was 29, I was very young and it was my first book, I still
felt strongly that I had to do it.
V. Emiyan: It
has an interesting title which has an Armenian ring to it.
Why did you choose that title?
M.A. Marcom: It was very hard
to title this book. It took a very long time and I needed
help. I didn’t know what to call it. You know, a title is
very important for a book. It kind of holds it a little bid.
When I was working on it the title was “The Myth of
Genocide”. Everybody hated that. But for me it was so much
about how for us, Diaspora Armenians the genocide is this
moment in history which has marked us. That’s why we are in
the Diaspora, and also there is the denial of the Turkish
government and in America when I was growing up nobody knew
who the Armenians where.
I didn’t know what to call the book,
but in it there are four fables. I read the Armenian fables
that I could find translated into English and they all end
with “and three apples fell from heaven”. I thought that is
an interesting play with what is true what is not true, what
is history what is not history. Because if you are an
Armenian you know personally and privately that the genocide
happened, because you heard the stories, even if in the
public world they were saying this did not happen, and at
the time there where no nations who had acknowledged the
Armenian Genocide. There is this tension between what you
know and what you are being told, and I think the title in
some ways captures that. Somehow I think its right for that
book.
V. Emiyan:
You have done research on the eyewitness accounts of
genocide survivors. If you were to single out one of them
which one it would be and why?
M.A. Marcom: There was this man
who wrote a memoir at the end of his life. He wrote it in
English and it was published in Santa Barbara, California.
His name is John Minassian. The book is called “Many Hills
Yet to Climb” and it was the most honest account of the
genocide I had ever read. Also as I recall, during the time
of the Genocide he was 18-20 years old. Which means, unlike
most of the memoirs which I read and were written by people
who were 6 to 8 years old children during the Genocide and
thus their memories are children’s memories, he was an adult
and could see the world through an adults eyes. And of
course not many men survived. And it was such an honest
book. That was the most important. I also read Darian which
was more about the women and what happened to them, which I
was also very interested in. So I would say those two.
V. Emiyan: I
understand you have encountered difficulties in publishing
and distributing your books in Turkey. What can you say
about that?
M.A. Marcom: I personally have
not encountered difficulties. In the US when you have a book
you have an agent and he/she tries to sell your book for
you, both at home and abroad. I don’t think my agent even
tried to sell my book in Turkey. But I have a friend of
mine who’s a book publisher in the UK and he read the book
and loved it and said “this must be published in Turkey”. He
doesn’t know the history between the Turks and the Armenians
very well, and I said “you can try”. He gave it to a friend
of his in Istanbul, who is very progressive, open minded and
runs a small publishing house, and he read it. As I remember
the story, he really liked it, but said it was not possible
to publish that book in Turkey. His personal security would
have been jeopardized.
V. Emiyan:
What are your plans for the future?
M.A. Marcom: I finished the
third book in this trilogy about the Armenian Genocide in
March 2008. I’ve written three books since then which are
not directly related Armenian topics. Although generally I
put in an Armenian character for my own pleasure. I’m
working now on a book about a Portuguese woman who lives in
the US and has a relationship with an American, but her
grandmother is an Armenian.
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